For those who know the cinema of director Susana Nobre (Lisbon, 1974), City Rabat, his fifth feature film, which has its world premiere this Saturday at the Berlin festival (Forum section, non-competitive), will initially seem to bring nothing new. It’s the same attentive and discreet look at people that cinema doesn’t usually look at, in moments of transition in their lives: in this case, Helena, a woman who works in cinema and whom her mother’s death launches, almost without her noticing, that, for a small emotional limbo, as if the ties were loosened from real life.
PÚBLICO’s contribution to the country’s democratic and civic life lies in the strength of the relationship it establishes with its readers.To continue reading this article, subscribe to PÚBLICO. [email protected]